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Occult Rules / Running an Occult Game

Occult Elements

Source Occult Adventures pg. 218
As characters in an occult campaign start to discover the hidden strands that connect seemingly unrelated events, they begin to interact with the bizarre, esoteric trappings of occult stories, including the following elements.

Mysteries within Mysteries

Source Occult Adventures pg. 218
Standard adventures present a problem, obstacles in the form of monsters and traps, and a resolution. By comparison, occult adventures are subtler. The key to the adventurers’ success often lies in investigating the unknown and the inexplicable, or following a trail of clues to its source. Strange phenomena, bizarre murders, and eerie occurrences are regular hooks in occult adventures, and the characters must peel away layer after layer to find the truth. The Mysteries and Investigations section of the Pathfinder RPG GameMastery Guide provides advice for structuring a mystery adventure; occult adventures use a similar structure, intermingled with the atmospheric clues and story trappings of the occult elements detailed in this chapter.

This is not to say that an occult adventure can’t also include heroic battles, dungeon exploration, or swashbuckling. It’s a good idea to vary the tone and pacing of the campaign from time to time, and sometimes seemingly ominous portents can turn out to be red herrings, which have their own value in occult adventures.

The occult elements in your story might also fade in and out of a campaign with an altogether different main theme, recurring every few adventures as side treks that at first have little to do with one another—or so it would seem. The further the PCs progress in the campaign story, the more clearly they begin to distinguish the patterns underlying all of their adventures. For example, the PCs might discover that all of the unearthed graves they encountered throughout several adventures were the resting places of an order of scribes who penned a tome foretelling the apocalypse. When it’s time to reintroduce the occult storyline, the GM need only present a fresh clue that ties back to earlier adventures to draw the characters once again into the world of the occult.

Piecemeal Mysteries: Mystery adventures can be tricky to write, as the GM cannot always foresee when clues are too obvious or too obscure, and either case may be frustrating for the players. Bringing the occult into the campaign one small piece at a time creates the illusion of unseen forces moving in secret, even if neither the GM nor the players know the nature of the mystery at the beginning of the campaign. As the campaign progresses and more pieces fall into place, the mystery reveals itself and takes a definite shape.

Clues Only for the Initiated: Game Masters often try to conceal vital information in games to preserve mysteries for fateful, well-timed reveals. And all too often, canny PCs find a way to acquire the information early, disrupting the GM’s carefully planned adventure and spoiling its momentum through overreliance on a few choice clues. While such reticence may sometimes be necessary to preserve intrigue and guide PCs, occult games dole out information more readily and more frequently, but in a slightly different manner. Because the most significant clues in an occult mystery may be hard to even recognize as clues, such methods can not only more easily screen the key bits of information that do propel the plot forward, but also create a more mysterious atmosphere.

Red Herrings That Aren’t: Red herrings should not always be dead ends. Instead, they may serve to set up further adventures for the PCs, leaving them with the uneasy sense that strange events driven by bizarre, eldritch motivations are hidden in the world all around them. For example, while the PCs are on the trail of a murderous demon cult, misinformation might lead them to a secret society involved in unusual initiation rites. While the lead may be a dead end in terms of their original investigation, perhaps the PCs discover the group’s seemingly innocuous initiations actually involve dangerous necromancy.

Building PC Involvement: Sometimes the best way to involve the PCs in a campaign is to ask them what they want. At the beginning of your occult campaign, ask each player to come up with a personal mystery for his or her character, such as having witnessed an unusual phenomenon or having experienced an inexplicable event as a teenager. A PC may have brief flashbacks to her childhood of visits by men in blood-red robes and disturbing animal masks, for example. The character’s search to discover the meaning of this memory may lead her down dark paths, particularly when she spots a street preacher wearing the tattered remains of one of the robes in a nearby city, and discovers from him that as a child, the PC was a candidate for an apocalyptic cult. Other hooks might include the unknown fate of a friend or relative, or the significance of a city monument’s unconventional design. It may center on a certain location, like a place seen in recurring dreams or the ghost-haunted gardens of some overgrown manor. It could have to do with a mysterious object, such as a locket that throbs painfully in the hands of a psychometrist or an ancient tome containing twisting, backwards writing in which a new word is scribbled each day.

Some hooks may play major roles in the campaign, while others turn out to be minor anecdotes. Regardless, an adventure hook based on a character’s curiosity, need, or longing is an invaluable tool for building player investment in the story.

Unseen Realms

Source Occult Adventures pg. 219
When running an occult game, consider replacing some of the NPCs who broker information with spirits, daemons, otherworldly entities, and mortals who traffic in the occult, such as a medium who channels spirits from a ramshackle wooden hut at the edge of a misty bog. Occult adventures emphasize the search for obscure, hidden knowledge beyond the ken of mortal minds. Such information is the province of spirits and lost souls who wander those rarely trod paths.

Some buildings may have mysterious symbols hidden in their architecture, or were designed to attract or channel occult power. For instance, adventurers who disturb the cairn of a powerful sorcerer might soon discover that the occult nature of the structure itself kept his soul in check. And, of course, GMs should design interconnected webs of intrigue that subtly display these patterns, daring PCs to pull the loose threads of reality and unravel all that they know, exposing the terrible secrets that lie beneath.

In a campaign steeped in occult lore and practice, spirits and demons might be the major questgivers, regular allies, foils, or adversaries, and their machinations pull the PCs in multiple directions. They might all seem virtuous, or may all seem reprehensible, but they all want something, and they are willing to use the PCs as pawns to achieve it. An uncooperative angel may give the characters information only grudgingly, whereas a devil who wants something might be more forthcoming.

The Power and Price of Knowledge

Source Occult Adventures pg. 219
The quest for knowledge features prominently in occult adventures. Knowledge and power invariably come at a price, however, even if the cost isn’t immediately evident. Calamity strikes when mortals rush blindly in, throwing open the doors to powers that they do not yet comprehend.

As the characters begin to perceive the occult world that surrounds them, consider the dreadful fates and terrible sacrifices that they might face as they immerse themselves ever deeper into the occult. The price of knowledge or power may seem cheap at first—the memory of a PC’s first kiss or the smell of a spring rain—but in the end, these snippets of humanity are a terrible price to pay, and the characters’ own desires or desperation may prove their undoing.

In the depths of the occult underworld, initiates barter for the true names of demon princes, exchange rare formulae for the creation of artificial life, and broker in corpses that conceal terrible secrets. Such mystical bargains are rarely fair trades of power, and hermetic orders and cults manipulate these exchanges to devalue the knowledge traded away and inflate the value of the knowledge earned.

Strange Rules and Peculiar Patterns

Source Occult Adventures pg. 220
The behavior of occult denizens often falls into unusual patterns. As discussed above, these patterns often manifest in architecture, but they also show up as odd coincidences that have significance for occult investigators, such as corpses discovered in symbolic patterns. Occult creatures themselves are beings of eccentric habits, and PCs may exploit their patterns of behavior to expose or confront them, perhaps discovering the celestial alignments that must happen in order for some diabolical plan to finally come to fruition.

Knowledge of these strange rules and peculiar patterns often holds the key to an antagonist’s defeat. In a typical mystery adventure, the GM might keep secret the means of causing a monster’s demise. But occult knowledge could give investigating player characters unusual opportunities to learn more about their foes. Perhaps divinations or phrenological readings reveal multiple weaknesses characters could exploit, though not all of them are real, and some may even empower the antagonist. Ultimately, the only way to find out may be to encounter the antagonist directly, but putting the acquired knowledge to the test may be a more dangerous affair than the PCs initially realized.

Fates Worse Than Death

Source Occult Adventures pg. 220
When death is final and unknown, it is as mysterious to living beings as it is terrifying. Characters accustomed to communicating with spirits, however, know that death is not the end. In fact, characters skilled in the occult might willingly wander the Ethereal Plane to quest, converse, and mingle among the bodiless spirits that reside there. In these games, characters usually have a pretty good idea of what fate awaits them, and what the final reward—or punishment—will be for their actions in life.

In occult adventures where characters can leave their bodies, travel in dreams, and project their forms onto the Astral Plane, the death of the physical body could come to hold less significance. Therefore, present the characters with fates worse than death. This might amount to a torturous “living” death, such as the eternal enslavement and torture of the soul or a debilitating madness that gradually renders a psychic creature mindless and insane. Since death in fantasy roleplaying games is typically either the end of a character’s story or a small inconvenience before resurrection, look for ways to offer an escape from death using occult characters’ knowledge of the spirit world—but at significant cost to their bodies, minds, or souls.

Esoteric Atmosphere

Source Occult Adventures pg. 220
Setting the scene is important in occult adventures, which rely upon creating an eerie atmosphere of tension, dread, and wonder in the presence of the supernatural. GMs can use props and tools to create a physical atmosphere around their players that draws them in to the emotional realm of the adventure. A room illuminated by flickering candles suggests darkened seance chambers or occult rituals, and a prepared library of sounds and voices brings settings and characters to life. If the characters are occult initiates or psychics, or they consult a fortune-teller or a medium, consider using cards, crystals, talismans, talking boards, and other such items as props in those scenes (as described in the Handouts and Props section of the GameMastery Guide). Challenge yourself to give the players goose bumps a few times over the course of your campaign.